Pesquisando por: "GEORGES SEURAT" - Fotoarena - Agência de fotojornalismo

46158031 Printemps a La Grande Jatte by Georges Seurat (estimated value USD $600-800,000) on display at the press preview for Sotheby's May 2023 auctions at Sotheby's in New York, NY on May 8, 2023. Photo Credit: Stephen Smith/ Sipa USA/ Fotoarena

ny050523164208 Visitors view George SeuratÕs ÓModels,Ó top, at The Barnes Collection in Philadelphia on April 20, 2023. Philadelphians can be tough on their hometown, but their gripes are mere blips compared with the attractions that await visitors to the city. (Caroline Gutman/The New York Times/Fotoarena)

ny091122231606 Georges SeuratÕs ÒLes Poseuses Ensemble (Petite version)Ó (1888) is auctioned during the Paul Allen sale at ChristieÕs in Rockefeller Center in New York, on Nov. 8, 2022. A museumÕs worth of masterworks from the Microsoft co-founderÕs collection are offered in a two-part sale to benefit charity. (Jeenah Moon/The New York Times/Fotoarena)

42600057 Georges Seurat (1859-1891) En marche stamped with signature 'Seurat' (Lugt 2282a; lower right) black Conté crayon on paper laid down on paper 12 1/2 x 9 5/8 in. (31.8 x 24.4 cm.) Drawn circa 1882 EstimateUSD 1,000,000 ? USD 1,500,000 on display at Visionary: The Paul G. Allen Collection presented at Christie?s New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. All proceeds will go to philanthropy. Photo Credit: TJ Roth/ Sipa USA/ Fotoarena

42599493 Georges Seurat (1859-1891) Femme debout, en toilette de ville black Conté crayon on paper 12 3/8 x 7 3/8 in. (31.5 x 18.7 cm.) Drawn in 1884-1885 EstimateUSD 1,000,000 ? USD 1,500,000 on display at Visionary: The Paul G. Allen Collection presented at Christie?s New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. All proceeds will go to philanthropy. Photo Credit: TJ Roth/ Sipa USA/ Fotoarena

42600044 On Nov. 9, 2022 this lot sold for over $149.2 million. Georges Seurat (1859-1891) Les Poseuses, Ensemble (Petite version) oil on canvas 15 1/2 x 19 3/4 in. (39.3 x 50 cm.) Painted in 1888 on display at Visionary: The Paul G. Allen Collection presented at Christie?s New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. All proceeds will go to philanthropy. Photo Credit: TJ Roth/ Sipa USA/ Fotoarena

ny110518223310 Claude Monet?s ?Nymphéas en fleur? (?Water Lilies in Bloom?) sold for $85 million including fees at Christie?s in New York, May 8, 2018. The treasures of David and Peggy Rockefeller set a record for the most valuable private collection sold at auction, at nearly $833 million. (Benjamin Norman/The New York Times/Fotoarena)

ny110518223211 ?The Collection of Peggy and David Rockefeller? included many furnishings from the couple?s homes in town and country, at Christie?s in New York, May 8, 2018. The treasures of David and Peggy Rockefeller set a record for the most valuable private collection sold at auction, at nearly $833 million. (Benjamin Norman/The New York Times/Fotoarena)

ny240217133604 Jake Gyllenhaal, left, and Annaleigh Ashford, right, in âÃúSunday in the Park With George,âÃù at the Hudson Theater in New York, Feb. 11, 2017. This revival of Steven Sondheim and James LapineâÃôs musical about the impressionist painter Georges Seurat retains the frills-free elegance of a concert presentation, with the orchestra onstage but concealed by a scrim. (Sara Krulwich/The New York Times/Fotoarena)

ny120320163304 FILE -- Jake Gyllenhaal as Georges Seurat in ?Sunday in the Park With George,? at the Hudson Theater in New York, Feb. 11, 2017. Why did it take so long for Stephen Sondheim to be unambivalently embraced? Maybe because ambivalence is what he?s embraced most of all. (Sara Krulwich/The New York Times/Fotoarena)

ny240217133803 Jake Gyllenhaal as Georges Seurat in âÃúSunday in the Park With George,âÃù at the Hudson Theater in New York, Feb. 11, 2017. This revival of Steven Sondheim and James LapineâÃôs musical about the impressionist painter retains the frills-free elegance of a concert presentation, with the orchestra onstage but concealed by a scrim. (Sara Krulwich/The New York Times/Fotoarena)

ny240217133903 Jake Gyllenhaal and Annaleigh Ashford in âÃúSunday in the Park With George,âÃù at the Hudson Theater in New York, Feb. 11, 2017. This revival of Steven Sondheim and James LapineâÃôs musical about the impressionist painter Georges Seurat retains the frills-free elegance of a concert presentation, with the orchestra onstage but concealed by a scrim. (Sara Krulwich/The New York Times/Fotoarena)

ny240217134103 Jake Gyllenhaal and Annaleigh Ashford in âÃúSunday in the Park With George,âÃù at the Hudson Theater in New York, Feb. 11, 2017. This revival of Steven Sondheim and James LapineâÃôs musical about the impressionist painter Georges Seurat retains the frills-free elegance of a concert presentation, with the orchestra onstage but concealed by a scrim. (Sara Krulwich/The New York Times/Fotoarena)

ny251016185808 Jake Gyllenhaal in a performance of Stephen Sondheim and James LapineâÃôs âÃúSunday in the Park with George,âÃù at the New York City Center, Oct. 24, 2016. Gyllenhaal plays the 19th-century French painter Georges Seurat in this three-night engagement of the classic musical âÃî one which benefits from the stripped-down concert approach. (Sara Krulwich/The New York Times/Fotoarena)

ny251016185608 Jake Gyllenhaal in a performance of Stephen Sondheim and James LapineâÃôs âÃúSunday in the Park with George,âÃù at the New York City Center, Oct. 24, 2016. Gyllenhaal plays the 19th-century French painter Georges Seurat in this three-night engagement of the classic musical âÃî one which benefits from the stripped-down concert approach. (Sara Krulwich/The New York Times/Fotoarena)

ny251016185850 Annaleigh Ashford and Jake Gyllenhaal in a performance of Stephen Sondheim and James LapineâÃôs âÃúSunday in the Park with George,âÃù at the New York City Center, Oct. 24, 2016. Gyllenhaal plays the 19th-century French painter Georges Seurat in this three-night engagement of the classic musical âÃî one which benefits from the stripped-down concert approach. (Sara Krulwich/The New York Times/Fotoarena)

NYC128559 USA, Seattle, WA 2012. Part of Microsoft co-founder Paul ALLEN's collection: A copy of the book "Tomorrow the Stars", "The Models" by Georges Seurat, the original Windows tape, an Etruscan bust, the guitar Jimmy Hendrix played at Woodstock and M&M candies that traveled to space.

NYC128560 USA, Seattle, WA 2012. Part of Microsoft co-founder Paul ALLEN's collection: M&M candies that traveled to space, a copy of the book "Tomorrow the Stars", "The Models" by Georges Seurat, the original Windows tape, an Etruscan bust, and the guitar Jimmy Hendrix played at Woodstock.

908_06_lr2013793 La Luzerne, Saint-Denis

908_06_lr2013792 Bathers at Asnieres

908_06_LR3011589 A Sunday on La Grande Jatte

alb3898930 Cirque The Circus. Date/Period: 1891. Painting. Oil on canvas. Height: 1,850 mm (72.83 in); Width: 1,520 mm (59.84 in). Author: GEORGES SEURAT.

alb10599791 The "Maria" at Honfleur. Museum: National Gallery, Prague. Author: Georges Pierre Seurat.

akg8710170 Georges Seurat (1859 - 1891). The canal of Gravelines, in the direction of the sea, 1890. Oil on canvas, 73,5 x 92,3 cm. Otterlo, Kröller-Müller Museum.

akg6155240 France, Paris, musée d'Orsay, Georges Seurat, 1859-1891, esquisse, huile sur toile, 1891.

akg7664433 Georges Pierre Seurat, French, 1859-1891, View of Le Crotoy from Upstream, 1889, oil on canvas, Unframed: 27 3/4 × 34 1/8 inches (70.5 × 86.7 cm).

akg5869651 Georges Seurat. 1859-1891. "Bout de la jetée à Honfleur" (Top of Honfleur pier), 1886. Oil on canvas, 46 × 55 cm. Otterlo, Rijksmuseum Kröller-Müller.

akg581373 Seurat, Georges. 1859-1891. "Homme assis, lisant sur une terrasse. (Le pere de l'artiste) (Man sitting on a terrace, reading / The father of the artist), c. 1884. Cont chalk on chamois paper, 30.7 × 23.3 cm. Berggruen collection.

alb4403306 Maurice Brazil Prendergast: Idyl, Maurice Brazil Prendergast, c. 19121915, Oil on canvas, Maurice Prendergast was an American artist who applied the lessons of French post-impressionism to his own work. The bold brushwork you see here, for example, which lends the canvas its rough texture, was influenced by the pointillist technique of Georges Seurat. Idyl alludes to a classical tradition of depicting nude women posed in the outdoors. Prendergast updates that tradition by mixing in clothed and half-dressed figures who come across not as classical muses but as self-possessed, modern women. The frame for this painting was made by Charles Prendergast, the artist's brother., Overall: 24 x 32 1/8 in. (61 x 81.6 cm).

alb4403701 Georges Seurat: Entrance of The Port of Honfleur (Entrée du port d'Honfleur), Georges Seurat, 1886, Oil on canvas, Overall: 21 3/8 x 25 5/8 in. (54.3 x 65.1 cm).

akg2162477 Seurat, Georges. 1859-1891. /. "Paysage rose" (Rosa Landschaft), 1886. Öl auf Holz, 15,5 × 24,5 cm. R.F. 1965-18, Paris, Musée d'Orsay. Museum: Paris, Musee d'Orsay.

akg2162475 Seurat, Georges. 1859-1891. /. "Lisière de bois au printemps" (Waldrand im Frühling), um 1882/83. Öl auf Holz, 16,5 × 26 cm. R.F. 1973-23, Paris, Musée d'Orsay. Museum: Paris, Musee d'Orsay.

alb3898934 Trombonist (Study for "Circus Side Show"). Date/Period: From 1887 until 88. Drawing. Conté crayon and chalk on buff laid paper Conté crayon and chalk on buff laid paper. Height: 311.40 mm (12.25 in); Width: 238.25 mm (9.37 in). Author: GEORGES SEURAT.

alb3670603 Landscape at Saint-Ouen. Artist: Georges Seurat (French, Paris 1859-1891 Paris). Dimensions: Overall 6 7/8 x 10 3/8 in. (17.5 x 26.4 cm); painted surface 6 5/8 x 10 in. (16.8 x 25.4 cm). Date: 1878 or 1879.Dated to 1878 or 1879, this is the earliest known of Seurat's landscape oil sketches. His good friend, the artist Aman-Jean, remembered him painting it on site at Saint-Ouen, a northern suburb of Paris. Seurat introduced warm, orangey-brown hues into the composition by allowing the wood panel support to show through between his brushstrokes. This work was originally part of a double-sided panel that was divided after 1950 into two separate pictures. The other side, now in the Musée d'Orsay, Paris, features a landscape with a copy after Puvis de Chavannes's The Poor Fisherman (1881; Musée d'Orsay). Museum: Metropolitan Museum of Art, New York, USA. Author: GEORGES SEURAT.

alb3608661 The Gardener. Artist: Georges Seurat (French, Paris 1859-1891 Paris). Dimensions: 6 1/4 x 9 3/4 in. (15.9 x 24.8 cm). Date: 1882-83.Although Seurat is best known for his scenes of urban life, many of his paintings of 1881-84 depict rural laborers and landscapes. He initially favored an earth-toned palette reminiscent of the work of earlier painters of the countryside, such as Jean-François Millet. However, the bright hues of this picture reflect Seurat's growing interest in Impressionist techniques and his reading of treatises on color, especially the American Ogden Rood's Modern Chromatics (published in English in 1879, and in French in 1881). Museum: Metropolitan Museum of Art, New York, USA. Author: GEORGES SEURAT.

alb3613812 The Forest at Pontaubert. Artist: Georges Seurat (French, Paris 1859-1891 Paris). Dimensions: 31 1/8 x 24 5/8 in. (79.1 x 62.5 cm). Date: 1881.Seurat spent two months in the late summer and early fall of 1881 in Pontaubert, a village southeast of Paris once frequented by Daubigny, Corot, and other Barbizon landscape painters. His visit inspired this sous-bois or forest glade, which Seurat probably completed that winter in the studio he shared with his traveling companion and fellow artist Aman-Jean. With its concert of greens, its subtle, shimmering light effects, and its vertical pattern of tree trunks, this work anticipates the verdant settings of Seurat's monumental Bathers at Asnières in London (1884) and A Sunday on La Grande Jatte in Chicago (1884-86). Museum: Metropolitan Museum of Art, New York, USA. Author: GEORGES SEURAT.

akg1546097 Seurat, Georges; 1859-1891. "Casseur de pierres" (Steinklopfer), 1881. Conté-Kreide auf Papier, 32 x 24 cm. Museum: Private Collection., Privatsammlung.

alb2016303 Georges Seurat / 'Forest of Barbizon', c. 1922, Oil on canvas. Museum: PRIVATE COLLECTION.

alb2012786 Georges Seurat / 'A Sunday Afternoon on the Island of La Grande Jatte', 1884-1886, Oil on canvas, 207.6 × 308 cm. Museum: The Chicago Art Institute, Chicago, USA.

akg1546135 Seurat, Georges; 1859-1891. "Lecture" ( Lektüre), 1886-1888. Conté-Kreide und Gouache auf Papier, 31 x 24 cm. Museum: Private Collection., Privatsammlung.

akg895438 Seurat, Georges; French painter: Paris 1.12.1859-Paris 29.3.1891.-Portrait.-Photo, c.1885, digitally coloured.

akg607583 Seurat, Georges ; 1863-1944. - "Paysan à la houe", 1882. Huile sur toile, H. 0,463 ; L. 0,561. Don de Solomon R. Guggenheim. Inv. n° 41.716. New York, Solomon R Guggenheim Museum. Museum: New York, Solomon R Guggenheim Museum.

akg308775 Seurat, Georges. 1859-1891. "Figure massive dans un paysage à Barbizon". (Massive figure in a landscape in Barbizon), 1882. Oil on canvas, 15.5 × 24.8cm. Inv. no. Dep. FC 705. Permanent loan of Fondation Corboud, Cologne, Wallraf-Richartz-Museum. Museum: Köln, Wallraf-Richartz-Museum.

alb3696385 Study for "La Grande Jatte". Dated: 1884/1885. Dimensions: overall: 15.9 x 25 cm (6 1/4 x 9 13/16 in.) framed: 33.3 x 41.9 x 5.7 cm (13 1/8 x 16 1/2 x 2 1/4 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: GEORGES SEURAT.

alb2578408 Georges Seurat (1859-1891). French painter. The Maria at Honfleur, 1886. National Gallery. Prague. Czech Republic.

alb9826889 Portrait of Paul Signac (1863-1935). Museum: Archives Signac. Author: Georges Pierre Seurat.

alb2037624 Georges Seurat / 'Circus Sideshow', 1888, Oil on canvas, 100 x 150 cm. Museum: METROPOLITAN MUSEUM OF ART, NUEVA YORK, USA.

akg154631 Seurat, Georges 1859-1891. "Young Woman powdering herself", 1889/90. Oil on canvas, 95.5 × 79.5cm. London, Courtauld Institute Galleries. Museum: London, Courtauld Institute Galleries.

alb4403902 Georges Seurat: The Ladies' Man (L'Homme à femmes), Georges Seurat, 1890, Oil on panel, This little oil painting was a study for the cover of 'L'Homme à femmes,' an 1890 novel by Polish writer Victor Joze. Seurat pictures the story's laughable main character--a struggling novelist who, rather than working on his writing, spends his time chasing women and getting embroiled in one scandal after another. Phallic cane in hand, the top-hatted figure stands with silly confidence as a flock of admiring women gathers behind him., Overall: 9 13/16 x 6 5/16 in. (25 x 16 cm).

alb4404178 Georges Seurat: The Ladies' Man (L'Homme à femmes), Georges Seurat, 1890, Oil on panel, This little oil painting was a study for the cover of 'L'Homme à femmes,' an 1890 novel by Polish writer Victor Joze. Seurat pictures the story's laughable main character--a struggling novelist who, rather than working on his writing, spends his time chasing women and getting embroiled in one scandal after another. Phallic cane in hand, the top-hatted figure stands with silly confidence as a flock of admiring women gathers behind him., Overall: 9 13/16 x 6 5/16 in. (25 x 16 cm).

alb4402943 Georges Seurat: The Ladies' Man (L'Homme à femmes), Georges Seurat, 1890, Oil on panel, This little oil painting was a study for the cover of 'L'Homme à femmes,' an 1890 novel by Polish writer Victor Joze. Seurat pictures the story's laughable main character--a struggling novelist who, rather than working on his writing, spends his time chasing women and getting embroiled in one scandal after another. Phallic cane in hand, the top-hatted figure stands with silly confidence as a flock of admiring women gathers behind him., Overall: 9 13/16 x 6 5/16 in. (25 x 16 cm).

akg2162936 Seurat, Georges. 1859-1891. "Spazierengehendes Paar", 1884/85. Studie zu "Un dimanche après-midi à l'Ile de la Grande Jatte", (Ein Sonntag Nachmittag auf der Ile de la Grande Jatte). Öl auf Leinwand. Privatsammlung. Museum: PRIVATE COLLECTION.

alb1992651 Study on La Grande Jatte by Georges Seurat (1859-1891). Location: New York, The Metropolitan Museum Of Art.

alb1990923 The chahut, 1889-1890, by Georges Seurat (1859-1891), oil on canvas, 171x140.5 cm. Location: Buffalo, Albright-Knox Art Gallery.

akg4524932 Seurat, Georges; 1859-1891. "Réunion de famille: Condoléances" (Familienzusammenkunft: Kondolenzen), 1885/86. Conté-Kreide auf Papier, 24 × 31,7 cm. New York, Privatsammlung. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg3872302 Seurat, Georges. 1859-1891. "La Seine à Courbevoie" (Die Seine bei Courbevoie), 1884/85. Öl auf Leinwand, 81,4 x 65,2 cm. Privatsammlung.

akg3841328 Seurat, Georges ; 1863-1944. - "Paysannes au travail", 1882-1883. Huile sur toile, H. 0,385 ; L. 0,462. Don de Solomon R. Guggenheim. Inv. n° 41.713. New York, Solomon R Guggenheim Museum. Museum: New York, Solomon R Guggenheim Museum.

akg1556795 Seurat, Georges. 1859-1891. "Clown et trois personnages" (Clown und drei Figuren), 1886/87. (Studie für "La Parade de cirque" (Die Zirkusparade) ). Conté-Kreide auf Papier, 23,3 × 30,8 cm. San Francisco, Calif., Fine Arts Museum. Museum: San Francisco, Fine Arts Museum.

akg452068 Seurat, Georges 1859-1891. "Le cirque" (The Circus), 1891. Detail. Oil on canvas, 185.5 × 152.5cm. R.F. 2511. Paris, Musée d'Orsay. Museum: Paris, Musee d'Orsay.

akg1555377 Seurat, Georges; 1859-1891. "L'en tout cas: Femme au parasol" (Frau mit Sonnenschirm), um 1882. Conté-Kreide auf Papier, 30,7 x 25 cm. Deutschland, Privatsammlung.

akg1555380 Seurat, Georges; 1859-1891. "Promenoir" (Gehende Frau im Profil), um 1883. Feder und Tinte auf Papier, 29,8 x 22,4 cm. Museum: Von der Heydt-Museum., Wuppertal.

akg1555376 Seurat, Georges; 1859-1891. "Dame au bouquet, de dos" (Dame mit Blumenstrauß, Rückenansicht), 1882/83. Conté-Kreide auf Papier, 31,6 x 24,4 cm. Bern, Privatsammlung.

akg1555384 Seurat, Georges; 1859-1891. "La Pêcheuse à la ligne" (Die Anglerin), 1884. Conté-Kreide auf Papier, 30,8 x 23,8 cm. Museum: Metropolitan Museum of Art., NEW YORK.

akg1559272 Seurat, Georges; 1859-1891. "Réunion de famille: Condoléances" ( Familienzusammenkunft: Kondolenzen), 1885/86. Conté-Kreide auf Papier, 24 x 31,7 cm. New York, Privatsammlung.

akg1555414 Seurat, Georges. 1859-1891. "Jeune Fille" (Junge Frau), 1884/85. (Studie für "Un Dimanche à la Grande Jatte" (Ein Sonntagnachmittag auf der Insel La Grande Jatte) ). Conté-Kreide auf Papier, 31,2 × 16,2 cm. Otterlo, Rijksmuseum Kröller-Müller. Museum: Otterlo, Rijksmuseum Kröller-Müller.

akg1546086 Seurat, Georges; 1859-1891. "Le Paquet de linge" (Das Wäschepaket), um 1882. Conté-Kreide auf Papier, 31 x 24 cm. New York, Privatsammlung.

akg607589 Seurat, Georges ; 1863-1944. - "Paysanne assise dans l'herbe", 1883. Huile sur toile, H. 0,381 ; L. 0,462. Don de Solomon R. Guggenheim. Inv. n° 37.714. New York, Solomon R Guggenheim Museum. Museum: New York, Solomon R Guggenheim Museum.

akg607594 Seurat, Georges ; 1863-1944. - "Paysannes au travail", 1882-1883. Huile sur toile, H. 0,385 ; L. 0,462. Don de Solomon R. Guggenheim. Inv. n° 41.713. New York, Solomon R Guggenheim Museum. Museum: New York, Solomon R Guggenheim Museum.

akg581343 Seurat, Georges. 1859-1891. "Les poseuses (petite version) " (The models, small version, 2nd version), 1888. Oil on canvas, 39.4 × 48.9cm. Private Collection. Museum: PRIVATE COLLECTION.

akg581368 Seurat, Georges. 1859-1891. "Promenade matinale" (Morning Stroll), 1884-85. Oil on wooz, 24.9 × 15.7 cm. Berggruen Collection.

akg581377 Seurat, Georges. 1859-1891. "Femme lisant" (Woman reading), c. 1883. Cont chalk on chamois paper, 30 × 23 cm. Berggruen collection.

akg581379 Seurat, Georges. 1859-1891. "La dame en noir" (Woman in Black), c. 1882. Cont chalk on chamois paper, 30.7 × 23 cm. Berggruen collection.

akg1545965 Seurat, Georges; 1859-1891. "Tête de jeune fille" (Kopf eines jungen Mädchens), 1877-1879. Öl auf Leinwand, 30,5 x 25,1 cm. Museum: Dumbarton Oaks Collection., WASHINGTON D. C.

orz000534 'Model from the Front', 1886-1887, Oil on panel, 25 x 16 cm. Author: Georges SEURAT (1859-1891). Location: MUSEE D'ORSAY. France.

les40120167 Poseuse de profil-Sitting model, profile, 1887 Sketch for " Les poseuses" -the models. Canvas, 25 x 16 cm R. F.1947-14. Author: GEORGES SEURAT. Location: Musee d'Orsay, Paris, France.

les40120754 Poseuse de dos-model, back-view. Oil on canvas (1887) 24.5 x 15.5 cm R.F. 1947-15. Author: GEORGES SEURAT. Location: Musee d'Orsay, Paris, France.

les40120755 Poseuse de face-model, front view. Oil on canvas (1887) 25 x 16 cm R. F. 1947-13. Author: GEORGES SEURAT. Location: Musee d'Orsay, Paris, France.

alb9483874 Port-en-Bessin, 1888, Georges Seurat, French, 1859 - 1891, 26 x 32 3/4in. (66 x 83.2cm)33 7/8 x 40 5/8 x 3 1/8 in. (86.04 x 103.19 x 7.94 cm) (outer frame), Oil on canvas, France, 19th century, In the summer of 1888, Georges Seurat worked in Port-en-Bessin, a small fishing village in Normandy. He painted six views of the seaport and its surrounding countryside. His intention was 'to translate as exactly as possible the luminosity of the open air, with all its nuances.' Although Seurat shared the Impressionists' goal of translating nature's light and color, he also wished to make Impressionism more precise. He wanted to replace its spontaneous, improvisational qualities with a more systematic, objective approach that could reflect the essential structures of a landscape, not just its transitory effects. To this end, Seurat developed an unusual new technique, variously called pointillism, divisionism, or Neo-Impressionism. He juxtaposed small dots of pigment according to his interpretation of scientific theories of color and optics. His followers, like Paul Signac, continued the pointillist style after Seurat's early death from pneumonia.

alb9351245 Port-en-Bessin: The Outer Harbor (Low Tide), Georges Pierre Seurat, French, 18591891, 1888, Oil on canvas, Made in Port-en-Bessin-Huppain, Basse-Normandie, France, Europe, Paintings, 21 3/8 x 26 1/4 in. (54.3 x 66.7 cm).

alb9375185 Gregg Camera, Zoo, Central Park, Manhattan, George Bradford Brainerd, American, 1845-1887, Gelatin silver photograph, 1885, Sheet: 10 7/8 x 13 15/16 in., 27.6 x 35.4 cm, 19thC, bowler hat, clothing, daily life, elephants, leisure, New York, reminiscent of Seurat, strolling, umbrella, vintage photograph.

akg581357 Seurat, Georges. 1859-1891. "La Seine ß la Grande Jatte), (The Seine near the island of Grande Jatte), c. 1887. Oil on canvas, 65 × 81 cm. Brussels, Royal Museums of Fine Art. Museum: Brüssel, Musées Royaux des Beaux-Arts.

alb4159396 Tree Trunks (study for La Grande Jatte). Georges Seurat; French, 1859-1891. Date: 1884. Dimensions: 474 × 615 mm. Black Conté crayon on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: GEORGES SEURAT.

akg1559182 Georges SEURAT:. This is one of a number of oil studies for the artist's 'Bathers at Asnieres' of 1884. Several of these studies were painted near Asnieres in north-west Paris, and the design of this study is close to the finished painting. The picture retains the quality of an open-air sketch, but the detail is carefully delineated with small touches of paint. Oil on wood, 15.5 × 24.5 cm, 1883. London, National Gallery. Museum: London, National Gallery. Copyright: Additional permissions needed for non-editorial use.

alb4159252 Seated Woman with a Parasol (study for La Grande Jatte). Georges Seurat; French, 1859-1891. Date: 1884-1885. Dimensions: 477 × 315 mm. Black Conté crayon on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: GEORGES SEURAT.

alb3635562 Embroidery; The Artist's Mother. Artist: Georges Seurat (French, Paris 1859-1891 Paris). Dimensions: 12 5/16 x 9 7/16 in. (31.2 x 24.1 cm). Date: 1882-83.This tranquil portrait of the artist's mother, Ernestine Faivre, is a tour de force of modeling in Conté crayon, Seurat's favorite graphic medium. The work is drawn entirely without line in tonal passages of velvety black. Scarce atmospheric light, subtly evoked by lessening pressure on the crayon, illuminates the interior where the woman sews, creating a serene ambiance of quiet domesticity. The abstract beauty achieved in such works earned the praise of fellow artist Paul Signac, who called them "the most beautiful painter's drawings that ever existed.". Museum: Metropolitan Museum of Art, New York, USA. Author: GEORGES SEURAT.

alb3659990 Foal (Le Poulain) [also called "The Colt"]. Artist: Georges Seurat (French, Paris 1859-1891 Paris). Dimensions: 9 3/4 x 12 1/2 in. (24.8 x 31.8 cm). Date: 1882-83.This unbridled foal is remarkably anomalous among Seurat's drawings. Its flurry of scratchy lines and sense of unrestrained motion contrast the silence and calm generally found in Seurat's velvety Conté crayon sheets. Seurat kept this drawing through his short life, after which it passed to fellow Neo-Impressionist Henri Edmond Cross, another artist favored by Robert Lehman. Museum: Metropolitan Museum of Art, New York, USA. Author: GEORGES SEURAT.

alb3612783 House at Dusk (La Cité). Artist: Georges Seurat (French, Paris 1859-1891 Paris). Dimensions: 12 1/6 x 9 3/8 in. (30.6 x 23.7 cm). Date: 1881-82. Museum: Metropolitan Museum of Art, New York, USA. Author: GEORGES SEURAT.

akg581370 Seurat, Georges. 1859-1891. "EÉtude pour La Grande Jatte, moyenne distance, gauche" (Study for left middleground of La Grande Jatte), 1884-85. Oil on wood, 16 × 25 cm. Berggruen collection.

alb3607920 Evening Calm, Concarneau, Opus 220 (Allegro Maestoso). Artist: Paul Signac (French, Paris 1863-1935 Paris). Dimensions: 25 1/2 x 32in. (64.8 x 81.3cm); Framed: 40 1/4 x 34 in. (102.2 x 86.4cm). Date: 1891.As Georges Seurat's most ardent follower, Paul Signacsteadfastly promoted the principles of Neo-Impressionism all his life. Adopting Seurat's systemof color harmony, Signac argued for the meticulousapplication of precise hues in separate strokes ofpaint across the canvas, a technique he said evoked"brilliantly colored lights." This painting is one offive related images of fishing boats near the Frenchtown of Concarneau, in Brittany. Signac endowedhis Concarneau paintings with musical sub-titles,suggesting a symphonic arrangement. Museum: Metropolitan Museum of Art, New York, USA.

alb3665856 Study for "A Sunday on La Grande Jatte". Artist: Georges Seurat (French, Paris 1859-1891 Paris). Dimensions: 6 1/8 x 9 1/2 in. (15.6 x 24.1 cm). Date: 1884.This small panel is one of approximately fifty oil sketches and drawings made as preparatory studies for Seurat's monumental masterpiece, A Sunday on La Grand Jatte. Painted from 1884-86, the scene depicts Parisians at leisure on an island in the Seine. Illustrating Seurat's process of investigation, the figures in the present panel were significantly transformed in the final painting. Seurat's style came to be known as Pointillism (from the French word "point," or "dot"), but he preferred the term divisionism--the principle of separating color into small touches placed side-by-side and meant to blend in the eye of the viewer. Museum: Metropolitan Museum of Art, New York, USA. Author: GEORGES SEURAT.

alb4159224 Final Study for "Bathers at Asnières". Georges Seurat; French, 1859-1891. Date: 1883. Dimensions: 6 1/4 × 9 7/8 in. (15.8 × 25.1 cm). Oil on panel. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: GEORGES SEURAT.

alb3680228 Gray Weather, Grande Jatte. Artist: Georges Seurat (French, Paris 1859-1891 Paris). Dimensions: 27 3/4 x 34 in. (70.5 x 86.4 cm). Date: ca. 1886-88.This view extends from the island of La Grande Jatte, framed by trees, to the red-roofed houses of the Paris suburb of either Asnières or Courbevoie across the Seine. Seurat had earlier celebrated this stretch of the river with his ambitious compositions Bathers at Asnières (1883-84, National Gallery, London) and A Sunday on La Grande Jatte (1884-86, Art Institute of Chicago). Here he sought "to transcribe most exactly the vivid outdoor clarity [of nature] in all its nuances" using a technique known as Divisionism (also called Pointillism). The painted border was added shortly before the picture was first exhibited in 1889. Museum: Metropolitan Museum of Art, New York, USA. Author: GEORGES SEURAT.

alb3898924 Le Chahut. Date/Period: 1889 - 1890. Painting. Oil on canvas. Height: 1,700 mm (66.92 in); Width: 1,410 mm (55.51 in). Author: GEORGES SEURAT.

alb3898922 Woman Strolling (Une élégante). Date/Period: Ca. 1884. Drawing. Conté crayon on Michallet paper. Height: 318 mm (12.51 in); Width: 240 mm (9.44 in). Author: GEORGES SEURAT.

alb3743122 Peasant with a Hoe. Dated: c. 1882. Dimensions: overall: 14.61 × 24.13 cm (5 3/4 × 9 1/2 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: GEORGES SEURAT.

alb3608509 Self-Portrait. Artist: Charles Angrand (French, Criquetot-sur-Ouville 1854-1926 Rouen). Dimensions: 24 x 17 1/2 in. (61 x 44.4 cm). Date: 1892.A close friend and follower of Georges Seurat and a founding member of the Neo-Impressionist movement, Angrand was a master of Conté crayon, preferring to work in its limited palette of black, white, and gray. Here Angrand presents himself, not at all as an artist, but as a bourgeois dandy, impeccably dressed and smoking a cigar. Angrand's technical ability in this self-portrait is stunning. In the words of an early critic, Angrand's image seems to emerge from a "luminous mist." Fellow Neo-Impressionist Paul Signac praised Angrand's crayon drawings: "his drawings are masterpieces. It would be impossible to imagine a better use of white and black. These are the most beautiful drawings, poems of light, of fine composition and execution." Many of the Neo-Impressionists were friends, as evidenced by the numerous extant Conté crayon depictions they made of themselves and of one another. Museum: Metropolitan Museum of Art, New York, USA.

alb3656293 The Mower. Artist: Georges Seurat (French, Paris 1859-1891 Paris). Dimensions: 6 1/2 x 9 7/8 in. (16.5 x 25.1 cm). Date: 1881-82. Museum: Metropolitan Museum of Art, New York, USA. Author: GEORGES SEURAT.

alb3648002 Aman-Jean (Portrait of Edmond François Aman-Jean). Artist: Georges Seurat (French, Paris 1859-1891 Paris). Dimensions: 24 1/2 × 18 11/16 in. (62.2 × 47.5 cm). Date: 1882-83.Seurat's study of his friend the artist Aman-Jean (1860-1936) ranks as one of the great portrait drawings of the nineteenth century. Aman-Jean and Seurat were both students at the École Municipale du Dessin and the École des Beaux-Arts in Paris; they shared a studio in 1879. The drawing is not a preparatory study for a painting but a finished work. Shown in the Paris Salon of 1883, it was the first work to be exhibited by the twenty-three-year-old artist. Seurat's signature use of conté crayon on textured laid Michallet paper of high quality resulted in drawings with luminosity and tonal harmony, and the classic balanced pose of the artist in profile, focusing intently on his work, gives the image an enduring, timeless quality. Museum: Metropolitan Museum of Art, New York, USA. Author: GEORGES SEURAT.

alb3727234 The Lighthouse at Honfleur. Dated: 1886. Dimensions: overall: 66.7 x 81.9 cm (26 1/4 x 32 1/4 in.) framed: 94.6 x 109.4 x 10.3 cm (37 1/4 x 43 1/16 x 4 1/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GEORGES SEURAT.

akg1555375 Seurat, Georges; 1859-1891. "Le Jardinier" (Der Gärtner), um 1882. Öl auf Holz, 15,7 x 24,7 cm. Museum: Kunsthaus., Zürich.